Here is the stressing of a rapport: Adam seems indeed to be stretching to his full length in order to make contact with the Creator.
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The exterior wings have a clear position within the sequential narrative of the work as a whole.
They show an unpopulated earth composed solely of rock and plants, contrasting sharply with the inner central panel which contains a paradise teeming with lustful humanity.
The background reveals several animals that would have been exotic to contemporaneous Europeans, including a giraffe, an elephant and a lion that has killed and is about to devour his prey.
In the foreground, from a large hole in the ground, emerge birds and winged animals, some of which are realistic, some fantastic.
Adam's expression is one of amazement, and Fraenger has identified three elements to his seeming astonishment.